Richard T. Walker’s three-channel video projection, the speed and eagerness of meaning (2011), sees the artist wandering across the epic expanses of the Mojave Desert on a quest for revelation; a pilgrimage in search of the sublime. As he traverses the vast barren landscape, a monologue describes the insurmountable chasm he encounters between meaning and …
The American art magazine Art Pulse has just published an interesting article by the art historian Stephen Knudsen on metamodernism and painting, in particular the work of Bo Bartlett. We have posted an excerpt below. You can read the whole article here. School of the Americas has postmodern reflection on a par with the likes of …
“When the two disappear into the one, where does the one go?” So asks the elusive Zen koan that serves as a starting point for this thoughtfully staged exhibition at the Zabludowicz Collection, a curatorial collaboration…
We are living in a post-Photoshop era — or so Lorenzo Durantini postulates, with a wry smile. Durantini has curated Brush It In, a group exhibition at Flowers Gallery taking its title from a colloquial expression…
Jess Littlewood’s photo collages present a series of visions that are at once otherworldly and familiar, eerie yet alluring. These dark, imagined landscapes, littered with their ambiguous structures, seem to perfectly encapsulate…
Timotheus Vermeulen, one of NoM’s founding editors, has just published a piece in Frieze discussing the reopening of the Stedelijk Museum in times of metamodernism. He writes: In the cultural industries things have changed considerably as well. The cultural logic of Postmodernism has been displaced by another sensibility: metamodernism (of course, this is a global …
