Wes Anderson, tone, and the quirky sensibility
Frequent Notes on Metamodernism contributor James MacDowell recently published his second academic essay on the quirky sensibility. His article in The New Review of Film and Television Studies situates Wes Anderson within the ‘quirky’ sensibility of recent American indie cinema, a category encompassing a range of films and filmmakers that emerged in Indiewood during the 1990s …
