Postmodernism is over. As global warming, the credit crunch and political instabilities are rapidly taking us beyond that so prematurely proclaimed ‘End of History’, the postmodern culture of relativism, irony and pastiche,
Over the last few decades, the international art scene has moved to Berlin. En masse. Inspired by cheap rents, massive spaces, and a high quality of life. But also by the plethora of
Some time ago, Galerie Tanja Wagner curated the first exhibition explicitly linked to the metamodern. It would be an understatement to say that the exhibition was a success in terms of either
Over the last few months, there has been much discussion online as well as at parties, galleries and conferences, about the meaning of the prefix meta- in metamodernism. Now, of course, each
On the 25th of September, Galerie Tanja Wagner will open its doors with the much anticipated, aptly titled exhibition ‘Die Tür geht nach Innen auf’. But what is it that we encounter
It is difficult to describe what Sejla Kameric’s work is about. It is about an international conflict (the Balkan wars). It is about the decline of a city (Sarajevo). It is about ethnic cleansing (of Bosnian-Herzegovians). It is about longing for a past that is lost (a culture’s, a city’s, the artist’s). It is about the emancipation of a young girl (the artist herself). Kameric’s work is political. But it is also personal. However, one would be mistaken to call the political personal and vice-versa.