Music

Beyond Postmodern Narcolepsy

In his book ‘Retromania, Pop Culture’s Addiction To Its Own Past’ (2011), music journalist Simon Reynolds states that popular (music) culture is suffering from retromania, an incurable addiction to its own past. According to Niels van Poecke, his analysis is based on a nineteenth century—and therefore very modern—notion of ‘authenticity’. It makes himself a symptom …

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Playing Touchy-Feely

Musical improvisation is a metamodern practice. It is an oscillation between two opposing poles: the willingness to be open to the sounds produced by others and the urge to direct the musical direction of the improvisation. It is impossible to unite these two stances, but musicians sincerely try to do so anyway, by entering into …

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