Film/TV
Rembetiko-4

See Something, Say Something

In 2011, when Tiger Lilies came to Athens to perform, they arrived during two tumultuous days in June when the state proceeded to pummel its citizens with tear gas (most…

Howards End

The Ethics of Nostalgia

For the past few months, I’ve been reading articles about blogging. Specifically, about the way bloggers interact with the past through things such as vintage outfit posts, design pieces that…

House-of-Tolerance

New French Extremity: An Exigency for Reality

Coined by critic James Quandt in 2004[i], the term New French Extremity refers to a selection of directors whose films embody a new aesthetic of naturalistic violence and symbolic transgression….

My-book

Cultural Afterlives and Screen Adaptations of Classic Literature

Hila Shachar’s new book, Cultural Afterlives and Screen Adaptations of Classic Literature: Wuthering Heights and Company, published by Palgrave Macmillan.

Daou-Which-Side-Are-You-On-e1340112530686

Which Side Are You On?

Annabel Daou’s art work ‘Which Side are You On?’ (2012) features an old television, a still image, a tape recording of the artist asking the titular question ‘which side are…

Tideland

Tideland

A.R. Warwick just published an analysis of Terry Gilliam’s Tideland as metamodern film in Art Writ. Terry Gilliam’s 2005 film Tideland centers on an abandoned child, Jeliza-Rose, and her solitary adventures during…

Creative Commons License

Notes on Metamodernism, 2013