Timotheus Vermeulen

Thirteen theses on (the end of) liberal democracy

Liberal democracy isn’t doing so well these days. The countries that have it seem keen to get rid of it. Presidents are installed without being elected (Italy), autocratic populist parties are on the rise (the US, the UK, France, the Netherlands), debates are settled by hand-to-hand fighting (South Korea), and freedom of speech is inhibited …

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Which Side Are You On?

Annabel Daou’s art work ‘Which Side are You On?’ (2012) features an old television, a still image, a tape recording of the artist asking the titular question ‘which side are you on?’, and a recording of people’s answers to that question. That’s it. It seems simple enough. But this work represents the doubts and desires …

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The lunar tic

What’s up with us and the moon? Having ignored it for years, nay, centuries, keeping our eyes firmly to the ground, we have recently begun looking for it everywhere and anywhere. Obsessively, desperately almost. It is almost as if we suddenly grew worried that it might no longer be there. That we were afraid that …

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The Young Berlin Artists

Over the last few decades, the international art scene has moved to Berlin. En masse. Inspired by cheap rents, massive spaces, and a high quality of life. But also by the plethora of myths of old and new. The city appears to be home to more art magazines and blogs, galleries and artists than the rest …

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Hard and soft

Metamodernism is above all about oscillation. Or at least for me it is. It is about the oscillation between the modern and the postmodern, history and ahistoricity, optimism and pessimism, sincerity and irony, the concept and the material, the figurative and the formless, narrative and the plotless, discursive originality and individual intertextuality, meaning and meaninglessness. …

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The door opens inwards

Some time ago, Galerie Tanja Wagner curated the first exhibition explicitly linked to the metamodern. It would be an understatement to say that the exhibition was a success in terms of either popular appreciation or critical acclaim. Art glossy Monopol instantly put Wagner on the front page. Art-Magazin called her the ‘absolute Newcomerin’. Der Tagesspiegel …

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