Last Exit Underclass
When I discussed Lana Del Rey’s ten-minute video ‘Ride’ in my aesthetics seminar group there was a strong disagreement amongst the students about the quality, novelty, inventiveness, and meaning of the identity claims…
-
Musical improvisation as an oscillation between two opposing poles: the willingness to be open to the sounds produced by others and the urge to direct the musical direction of the improvisation.
Moving from I to It
Writing from the perspective of the amateur who perceives his practice as the only thing he has – not the theory behind it, not the label on top of it, not the object at the end of it – why was I drawn to Formcontent? Because being a spectator at their four events…
-
Ashlie Contos interviews the photographer Dylan Hollingsworth
-
Photography, Imperfection, Education
A partial and critical review of the Fotomuseum Winterhur’s blog, Still Searching, and the role of politics in art education
-
In Pursuit of Elusive Horizons
Richard T. Walker, David Blandy and the return of the Quest in contemporary art
-
Putting a Face on Metamodernism Without the Clichés
-
February 11, 2013Parallel Campaigns
-
October 23, 2012
-
January 25, 2012Architecture’s New Terrain
-
December 9, 2011
-
November 22, 2012The Ethics of Nostalgia
-
August 14, 2012
-
August 31, 2011Discreet luxury
-
April 28, 2011
-
July 2, 2012The New Aesthetic’s Speculative Promise
-
October 28, 2011
-
April 11, 2013Photography, Imperfection, Education
-
October 16, 2012
-
February 25, 2013Thirteen theses on (the end of) liberal democracy
-
July 24, 2012
-
May 16, 2011The trick with the rabbit and the tricking rabbit
-
January 23, 2011
